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Showing posts from August, 2013

Ramanand Sagar's 'Shri Krishna' (13): - Naaradji gets the Darshan of the Divine Pair- Radha-Krishna

Now we will start from the scene we ended, in my last post. That is- all the gods along with Brahmaji have gone to their respective 'lokas' but we can see Naaradji still standing at the ksheer saagar .  Suddenly a Divine Light appears and asks Naraadji what is the reason that he is still staying behind. Naaradji answers that even after coming this far into ksheer saagar , he does not want to go back without a 'darshan' of the divine couple. He has faith in his devotion that the Lord will definitely fulfill his wish.  The Lord expresses surprise with the word- 'Both' and then says -'Tathaastu'. Now the image of Radhe-Krishna appeared before Naaradji, but the two images keeps on merging in one another, so he could not make out anything...  A confused Naaradji now asks the Lord to appear as 'two different entities' . But the Lord answers that how could they separate themselves when they is no difference in Radha and Krishna? The

Ramanand Sagar's 'Shri Krishna' (12): - Asking for help from Brahmaji and Shri Hari

After telling about the unique features of Shri Ram an Shri Krishna, now Shukdevji narrates about the grave situation at the end of Dwapar yug. Many raakshasaas and Asuraas started to dominate the earth. Everyone of the creation were very sad due to their tyranny. So Naaradji along with Indradev, Prithvi Mata, Debguru Brihaspati and all the other gods, went to Brahmaji. They started to tell him about their problems and asked for help. Prathvi Mata's duty was to give birth to noble children and spread devotion. But now some of her cruel children are committing sins due to the vices in their nature. She can't bear anymore and wants divine help.... Indradev told that the great asur Hiranyakashyap has taken birth as Jarasandh. Because of his 'taamasik' nature, he  is imprisoning the virtuous kings, and also planning to sacrifice them to attain more power.  Devguru Brihaspati said- the great asur Kaalnemi is born as Kansa, who wants to establish adharma and so

Ramanand Sagar's 'Shri Krishna' (11): - Parashuraam Avataar and Shri Ram Avataar

 After telling about the composition of 'Shrimad Bhagwaat Mahapuraan', Shukdevji tells the story of Parashuraam Avtaar. He was the 'ugra avtaar' of the Lord. He destroyed kshatriya clan from the earth many times. Later when he met Shri Ram, His pride was destroyed. Some scenes from Ramanand Saagarji's 'Ramayan' is shown during the narration of this story. Now Shukdevji tells king Parikshit about Shri Ram avtaar. Here we have a nice song- ' Muni katha sunaate Ram sakal gundhaam ki...'- which was also used in Ramanand Saagarji's ' Uttar Ramayan', where Luv Kush sang the same song in Shri Ram's court. Here the same song has been used in the background, though he singers are different from the original (i.e.-'Uttar Ramayan') one. All the scenes from Ramayan has been shown throughout the whole song. Starting from the putrakaameshti yagnya by Rishyashringa muni, then the birth of all the four brothers, Shri Ram,

Ramanand Sagar's 'Shri Krishna' (10): - Composition of 'Shrimad Bhagwat Mahapuraan'

After narrating about Narsimha avtaar, Shukdevji tells King Parikshit about the story how 'Shrimad Bhagwat Mahapuraan' was composed.  Now we are shown a dramatization of the following event- After composing Mahabharat, his father sage Veda Vyas was still feeling incomplete inside. As the epic ended in a devastating war, (the emotions which evoked in the mind of Veda Vyas, during the process of composing Mahabharat), made him sad.  One day Narad muni came to him and asked the reason of his sadness. Veda Vyas replied that in Mahabaharat he has tried to incorporate all the knowledge of the vedas, so that the persons who are unable to read the pious texts can still have access to that knowledge. He has tried to tell about dharma, about right action and their significance in our life. Thus he has tried to help humankind to let a rich and meaningful life. But even after such a composition, he is still feeling something lacking in his endeavor.  Now Naraadji explains t